Conversations with Columbia: Part 3

This post is mirrored by kind permission of Hecate Demeter.

“‘Only connect!’ That was the whole of her sermon. . . . Live in fragments no longer.” ~ E.M. Forster

More than anything else, being a Witch, for me, is about connection. Connection to the Earth, the Elements, my landbase, my watershed, and all the entities (corporeal and non) that share them with me. Connection to the Goddesses and Gods. Connection to the Web of All. And because, like most American Pagans, I live in an urban area, I work on connecting — being in relationship with — my city. My city is Washington, the District of Columbia (often called D.C. for short). As I’ve discussed before, part of my practice is centered on Columbia, the patron Goddess of my city. She’s a fairly young Goddess (as Goddesses go), with fairly old roots. She’s closely related to the Roman Goddess Libertas.

One thing that Columbia doesn’t have yet is a well-known story of Her life. We know that Isis married Osiris, reassembled his body when it was dismembered, sang Osiris back to life, and conceived Horus. We know that Persephone was gathering flowers with Her friends when Hades abducted Her and took Her to the Underworld. Her mother, Demeter, wanted Her daughter back and refused to let anything grow on Earth until Zeus brought Persephone back to Earth, although Persephone returns each Autumn to the Underworld. We know that Quan Yin’s father wanted Her to marry a rich man, but She wanted to be a nun and live in the temple. Eventually, Her father had Her executed and She descended to one of the more unpleasant realms of the dead. There, Her kindness turned the realm into a paradise. She then became a Bodhisattva and hears all the cries of the world. But we don’t know much about Columbia’s life.

So, on July 4th, I did a magick working and meditation to learn more about Columbia. I’ve recounted the first two questions that I asked Her and Her answers here and here. The third question that I asked Columbia, was what one thing She’d like people to know about Her. I pulled the Five of Vessels (Ecstasy) card from the Wild Wood Tarot. In a traditional Tarot deck, the Five of Cups card shows bereavement, disillusion, repentance, regret. There’s none of that in the Five of Vessels. Here’s the card.

Picture found here.

The Wild Wood Tarot book says:

Meaning: The beat of the universal drum is heard in the soul and it is healthy to surrender for a time and to join in the dance. Energy is renewed by bathing in the cosmic life force of exultant and sincere ecstasy.

Reading Points: Many avenues are open to the Wanderer to commune intimately and ecstatically with great beauty or to be intoxicated by an intensely personal connection with the divine. Music, meditation, art, love, dancing or a profound sexual experience can inspire and induce the sacred trance of enlightening ecstasy. This powerful and euphoric awareness is utterly natural and a well-established aspect of shamanic traditions. States of ecstatic trance can sometimes be triggered by extreme physical exertion or the quiescence of the superficial consciousness, so as to gain access to a deeper and more profound comprehension of everything. Sadly, the concept of spiritual ecstasy has been damaged by the common use of drugs that imitate (for a short time) the endorphin rush of an authentic and natural ecstasy. The ecstatic trance has been described as a delightful possession or a mysterious union with a timeless exuberance. The fusing of the spiritual being with a profound and loving universal mind elevates the soul to the space between spaces, where poetry breathes through you and exultation and stillness effortlessly coexist.

What I see when I look at the card is a very young woman, maybe even a teen-aged girl. She’s completely given herself over to the ecstasy of some ritual (maybe initiation?). The place where she’s dancing looks a bit like a dried river bed. Is she doing a working for rain? Although her dance is confined to the space of a pentacle (which mirrors the five-pointed stars that adorn Columbia’s helmet in her statue in Washington, D.C.), she’s one with the whirling stars of the Milky Way and with her own inner vision. It reminds me of Maria Montessori’s teaching that, “From the greatest discipline comes the greatest freedom.” She carries a thyrus, often associated with Dionysis, symbolizing her ecstasy, and a rattle with a face, perhaps to provide rhythm, symbolizing her discipline, for her dance. Again, discipline and freedom, upon one tether, and running beautiful, together.

The answer to my question seems to me to be that Columbia wants people to know how much fun She’s having, how ecstatic She is, and the deep ecstasy available to Her devotees. And that She’s still young, still able to dance all night under the stars, still in love with It All. And, that She moves and has influence within the correct sphere, space, ritual.

What does the card say to you about Her?

(See also: Part 1, Part 2, Part 4.)

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This post was written by
Literata is a Wiccan who studies theaology and enjoys developing poetry and rituals. Her work has appeared in several anthologies, including Mandragora and Anointed as well as multiple periodicals. She also blogs at Forging Futures and writes for her own site, Works of Literata, . When she's not leading Rose Coven, reading Tarot or communing with nature, she works on her Ph.D. dissertation in history and enjoys travel and spending time with her husband and four cats. Please note that everything Literata writes here is solely her own personal opinion. It does not represent the position of any organization with which she is affiliated.

1 Comment on "Conversations with Columbia: Part 3"

  • Susan Burke says

    Hi, I’m in the west Baltimore area. I can really connect with your revelations regarding Columbia. While D.C. may claim her, it is her influence I feel here in the whole Chesapeake area. Thanks for taking the time to draw her out and share her story with all of us.

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